The Cloths of Heaven
Solo exhibition at Galerie 38 - Casablanca, Morocco
March 16th to April 16th 2017
With the support and patronage of the Sindika Dokolo Foundation, ART AFRICA invited Kendell Geers to Guest Edit this special edition entitled ‘A Luta Continua’. Geers responded by inviting contributors from all over the world to share their thoughts on the irreconcilable contradictions embodied by the question, “What is African Art and how might it be read today?”
PAN AFRICA | series 1 contemporary African art exhibition 17 artists | 6 countries from 25 Feb to 30 April 2017.
Uzoma Samuel Anyanwu, Lindi Badenhorst, Paul Blomkamp, Mbongeni Buthelezi, Layziehound Coka, Johannes du Plessis, Mbongeni Fakudze, Phillip Heenop, Thonton Kabeya, Mbulelo Mabutho, Dario Manjate, Ephia Mmbidi, Solomon Omogboye, Michaela Rinaldi, Edward Selematsela, Bambolwami Sibiya, Stanislaw Trzebinski
Curated by Patrizia Litty
A selection of creative concepts from this year’s PPC Imaginarium Awards’ finalists will be showcased at the ART AFRICA FAIR 2017 from 24 February to 5 March 2017 at the V&A Waterfront in Cape Town. Artworks and designs from across the competition’s six entry categories, namely architecture, jewellery, sculpture, fashion, industrial design and film, will be on display for the duration of the fair.
In addition to a compelling collection of historic and modern artworks - from JH Pierneef and Pieter Wenning, to Cecil Skotnes and Christo Coetzee - Aspire Art Auctions’ Inaugural Cape Auction will include powerful and engaging artworks from top African contemporary artists.
FNB JoburgArtFair is delighted to announce Robin Rhode as the 2017 Featured Artist. Rhode was born in 1976 in Cape Town and currently lives and works in Berlin.
Strauss & Co posted a record turnover of R215 million in 2016, the highest combined income achieved by the company in a single year since its inception in 2009. While the narrative around individual sales matter, it was Strauss & Co’s capacity to achieve a sell-through rate of over 80% at its four live auctions in Johannesburg and Cape Town that contributed to its resounding performance. The outstanding result is a testament to Strauss & Co’s capacity to bring quality work to the market, an aptitude that is also evident in the strong suite of work – by among others, Irma Stern, JH Pierneef, Peter Clarke and Mikhael Subotzky – assembled for the company’s 6 March 2017 sale at the Vineyard Hotel in Cape Town.
Standing in a dimly lit studio Kate Tamakloe is trying to remember where she last saw the photo of a major that served in the Ghanaian army. As she does I peer through the frames on the walls at year old faces – some are recognisable, others aren’t. Studying pictures is reminiscent of opening a time capsule or an old family chest full of fading images and memories.
Goodman Gallery will present three booths at the 2017 Cape Town Art Fair (CTAF), held from 17-19 February 2017 at the Cape Town International Convention Centre. In addition to a group exhibition in the main section of the fair, the gallery will participate in two of the show’s special features – Tomorrows/Todays and Past/Modern – as well as launch Kudzanai Chiurai’s new monograph as part of Woodstock Art Night.
On 18 February 2017 the Standard Bank Gallery in Johannesburg will host an exhibition that covers the last twenty years of South African photographer Andrew Tshabangu’s career. Born in 1966, Tshabangu has played a significant role in redefining the visual landscape of South Africa, working alongside the likes of Bob Gosani, Ernest Cole, Peter Magubane, Alfred Kumalo, Omar Badsha, Santu Mafokeng, and David Goldblatt. While his black and white photography has certain ‘documentary’ qualities, Tshabangu’s work lends itself to a more poetic vocabulary, and is often described within the framework of magic realism and surrealism.
The Mangbetu people, they say, migrated from present day South Sudan between the 18th and 19th century, southwards towards the Democratic Republic of Congo (DRC) where they eventually settled in the North Eastern part of the country, in what is now the Orientale province.
South Africa’s first International Public Art Festival (IPAF), to be held in Cape Town from February 10-20, will bring art and art lovers out of the galleries and on to the streets like never before.
By Jess Castellote
It is less than four months since we mourned the death of Sammy Olagbaju, less than two since Rasheed Gbadamosi passed away and now, we are confronted with the death of Ben Osaghae. Rasheed, I knew him well, but Sammy and Ben were personal friends. In 2012, with the help of Sammy, I published a book: “Nigerian Contemporary Art in Lagos Private Collections”. Just a couple of years ago, Akinyemi Adetunji and I wrote “Ben Osaghae. Visual Chronicles of a society in flux”, a book monograph on Ben.
The Afropolitan Festival is three days of exceptional programming dedicated to Afropolitan art, creativity and state of mind, presented by BOZAR and its partners. Taking place from 3rd to 5th February Afropolitan Festival is a celebration of the Belgian and European artists of African descent currently boosting the European cultural scene. This edition features a special focus on the Belgian Congolese diaspora, on Afropolitan artists in the contemporary art scene, and on the bridges between Sub-Saharans and North Africans.
In the second edition of the South-South series, Goodman Gallery presents Let me begin again, an exhibition drawing parallels between artists from the Global South, looking at and beyond the afterlife of political revolution. The show reveals cross-cultural influence and divergence – both historical and recent – between countries such as Cuba, Brazil, South Africa and Angola, as well as Mozambique, and Namibia; featured artists born in or living between these countries or in the diaspora.
On show at SMITH Studio is Stephen Allwright’s current solo exhibition, Inclusions, where he explores his own emblematic shorthand, an inverted form of self-portraiture, as well as the extent of ink in resonating with the images forming in his mind. ART AFRICA got to sit down with Stephen to find out more.
Lilian Nabulime is a well-established contemporary female Ugandan artist with a long history and passion for wood carving. A graduate of the Margaret Trowell School of Industrial and Fine Art (MTSIFA), Nabulime was taught by one of Uganda’s greatest sculptors, Francis Nnaggenda, whose influence is evident in her work, not only in their large scale execution but through her use of wood, most notably Kavuyo (1993) and Meeting Point (2014).
Kirsten Sims is a visual artist working in Woodstock, Cape Town. She holds an honours degree in Illustration from the University of Stellenbosch, and is currently busy with a body of work for her fourth solo show at Salon Ninety One, her representative gallery. During 2015 Sims held her second solo exhibition at the Alison Milne gallery in Toronto, Canada. The Artist represented Salon91 at the Turbine Art Fair during 2015 and 2016, and will be doing so again in July this year. She regularly participates in group exhibitions in South Africa and is in the process of writing and illustrating her second children’s picture book. Kirsten tells us we can expect a preview of her work for her upcoming solo show, Saturn Return, at the Cape Town Art Fair in mid-February.
“Whether it is a plant or clouds or smudges on a wall, these can all serve as inspiration for me and act as a starting point for a painting. My inspiration comes from the world around me and then it becomes something of its own. It is sifted through my memory and my imaginings.”
ART AFRICA had the opportunity to chat with Leanne Olivier about her solo show, EXTRINSIC/INTRINSIC at Jan Royce Gallery. Olivier discusses the role of the artist in contemporary society, "life drama", and the Theatre of the Absurd.
On the top floor of an incomplete one-storey building, portraits of Ghanaians – mostly females sitting among yellow jerry cans – hang on the unpainted walls. Others hang on abandoned scaffolds left in the building. These paintings are new artworks by contemporary Ghanaian artist Jeremiah Quarshie, some of which appear a bit exaggerated; but the near realness of Quarshie’s application is a testimony to the ‘hyper-real.’
The artworld is directing its eyes to the once called ‘dark continent’ with promises of inclusion. In Kinshasa – The Democratic Republic of Congo – the Kin ArtStudio is showing resistance to fierce attempts of appropriation while claiming its contemporaneity and global relevance.
“Our role as artists is not to solve problems, but to ask better questions. Herein lies the power of our investigations: allowing for breathing space; incubators in which interactions can mutate.”