The most important and historic award for contemporary art in Belgium goes to Otobong Nkanga. The artist’s delicate works on transformation processes referring to changes in our society won over the international jury. Alongside the Belgian Art Prize exhibition in Brussels, Otobong Nkanga’s work is currently also on view at Contour in Mechelen and Documenta 14 in Kassel and Athens.
The public voted for its favourite artist and awarded the ING Public Prize to Maarten Vanden Eynde.
Brooklyn, NY (March 2017) – 1:54 Contemporary African Art Fair, the leading international art fair dedicated to promoting contemporary art from a diverse set of African perspectives, is pleased to announce the 2017 New York lineup for 1:54 FORUM, the fair’s annual talks program, curated by Koyo Kouoh, Founder and Artistic Director of RAW Material Company, Dakar and supported by Gabriella Beckhurst (FORUM Curatorial Assistant).
Tabita Rezaire in conversation with ART AFRICA.
Tabita is a French born Guyanese and Danish new media artist, currently based in Johannesburg, South Africa. Her work explores ideas surrounding decolonial health and knowledge, and navigates these themes, both online and offline, through internet’s tools and languages. ART AFRICA sat down with Tabita to discuss her solo show, Exotic Trade, currently up on exhibition at the Goodman Gallery.
Take me to Zambia! Greenpop, a social enterprise working in Southern Africa, launched a competition to win a trip to the Zambia Festival of Action in Livingstone. The festival is an environmental action summit that brings people together from around the world to actively engage with sustainability solutions and have fun while doing it. Everyone can enter the competition via the Zambia Festival of Action Giveaway. Just send Greenpop your short motivation before 3 May and win one week in Zambia between 25 June and 16 July 2017.
Chinafrika is a two-day conference from 29-30 April 2017 at Goethe Institut, Johannesburg presented in partnership with MetroZones Berlin, The Confucius Institute and Museum of Contemporary Art Leipzig. The conference presents academic papers, artist’s presentations and group discussions focused on cultural responses to the relationship between the African continent and the People’s Republic of China, both historical and contemporary.
Regarding Africa: Contemporary Art and Afro-Futurism is on show at the Tel Aviv Museum of Art, Israel. The term Afro-futurism refers to music that grew during the 1960s among Afro-Americans as well as to the poetry, comics, cinema and art that developed later. Today it applies to a wide range of art that reflects, in various absurd ways, an African version of futurism.
Five Artists Announced for ‘Rock, Paper, Scissors: Positions in Play’, the National Pavilion UAE’s exhibition for the 2017 Venice Biennale.
The National Pavilion United Arab Emirates (UAE) has announced the five UAE-based contemporary artists who will be participating at the 57th International Art Exhibition at la Biennale di Venezia (Venice Biennale). Commissioned by the Salama bint Hamdan Al Nahyan Foundation and supported by the Ministry of Culture and Knowledge Development, the exhibition will run from May 13th to November 26th, 2017, with a preview from 10th to 12th May, 2017.
KROTOA is just as remarkable and unforgettable as the historical heroin this impressive film is based on. It has already managed to conquer the hearts of international film lovers and critics, and is set to be an even bigger hit with local audiences. This film, which has not yet been released in South Africa, has already received six official selections at international film festivals, like the International Film Festival for Environment, Health, and Culture, World Film Awards, Artemis Women in Action Film Festival and the Nashville Film Festival.
Lagos, an economic centre of Africa and cultural destination on the continent, has been dubbed as one of the emerging art capitals of the world. With its most recent art festivals being FESTAC ’77, Lagos Photo, ARESUVA, and Art X, Lagos is taking on the international art scene.
The Lagos Biennial, which is an artist initiative, will be held once every two years in the city of Lagos with the primary aim of opening cultural, artistic, and political conversations from Lagos to the rest of the world. In line with the spirit of Lagos which is all-welcoming, the Lagos biennial is not driven by Afrocentric ideologies but rather embraces the unifying simplicity of the human experience.
Aspen/Snowmass, Colo. (April 11, 2017) — Anderson Ranch Arts Center, a premier destination in America for art making and critical dialogue, celebrates creativity and service to the arts by recognizing the accomplishments and contributions of key figures in the art world. This summer Anderson Ranch will honor Wangechi Mutu with the National Artist Award, Jan and Ronnie Greenberg with the Service to the Arts Award and Ann Korologos with the Extraordinary Leadership Award at its 21st Annual Recognition Dinner. The gala evening will take place on July 20, 2017.
ART AFRICA in conversation with Patrick Bongoy.
Born in the Democratic Republic of the Congo, Patrick Bongoy graduated from both the Institute of Fine Art and the Academy of Fine Art in Kinshasa. Bongoy currently lives and practices in Cape Town, South Africa, but continues to reference the socio-economic and political dialogue of his birth country.
ART AFRICA spoke to Bongoy about his experiences in both South Africa and the DRC, as well as his work for upcoming solo exhibition at EBONY Curated, ‘Where are we / Where are we Going?’.
ART AFRICA in conversation with Elize Vossgatter on her solo show, ‘limp’, currently up on Exhibition at SMITH.
ART AFRICA talks to Ephia Mmbidi - represented by Candice Berman Fine Art Gallery, on her experiences growing up in violent yet significant Sebokeng, her role as a black female artist, and how she utilises tools to capture the essence of what it is to be female.
Exotic Trade is Tabita Rezaire’s first solo exhibition in which she deploys ‘digital healing activism’ as a strategy to envision decolonial technologies through which we can ‘holistically connect to ourselves, to one another, to the earth and to the multiverse’ (Rezaire). Exotic Trade is on show at the Goodman Gallery, Johannesburg from 8 April to 17 May 2017.
Art Dubai has established itself as one of the world's leading global art fairs. Whilst its roots were originally set in the Middle East, North Africa and South Asia (MENASA), Art Dubai has evolved over the years to become a vibrant meeting ground between established and trail-blazing emerging artists, collectors and art connoisseurs, and a vital link between the art ecosystems of Europe and the Americas with the Arab world, Africa and Asia.
Over the past seven years ART AFRICA has maintained a partnership with the fair and experienced these developments first hand. We believe that this platform in particular has an important place to play for Africa as it continues to emerge more prominently on the global art scene. Besides being a cultural powerhouse and center of creativity, Art Dubai harnesses the incredible spirit of collaboration and artistic energy of the region.
The 14th edition of documenta will open in April 2017 in Athens and in June 2017 in Kassel. documenta 14, organised by Artistic Director Adam Szymczyk, is unique in its organisation as, reflected in its title: “Learning from Athens”, the exhibition will take place over two cities, instead of the usual Kassel.
Ngulube talks about his experiences as a Pastor, and the traces of himself in his work for upcoming solo show, ‘Traces’ at Candice Berman Fine Art Gallery.
Aspire Art Auctions’ inaugural Cape Town sale on 27 March 2017 at the Avenue, V&A Waterfront attracted wide-spread interest from the media and collectors alike, inspired by the new vision which Aspire brings to the market.
Thanks to art, instead of seeing one world only, our own, we see that world multiply itself and we have at our disposal as many worlds as there are original artists, worlds more different one from the other than those which revolve in infinite space, worlds which, centuries after the extinction of the fire from which their light first emanated, whether it is called Rembrandt or Vermeer, send us still each one its special radiance.’ - Marcel Proust
Olatunji Sanusi addresses his Yoruba heritage, the global water scarcity and the effects it will have on future generations - especially children, as well as his hopes of one day exhibiting in Nigeria.
Cathy Layzell talk’s gardens and gardening, the politically-loaded concept of reserves, and the driving force behind her latest exhibition, ‘Reserve’, currently up on show at Salon91.
Obie encompasses a decades-long sweep of his life’s work and covers the globe. It is part coffee-table book, part travelogue, part autobiography and part storybook, with a bit of philosophy thrown in for good measure. It’s a great photographer, documenter and character looking back through his ever-increasing archive (built up over 60 years) and choosing the images that resonate the most, and which have a story to tell.
ART AFRICA in conversation with Gabrielle Raaff on her solo exhibition currently up on show at SMITH Studio.
Painted by JH Pierneef in 1955, the spectacular A View Across Fisherman's Cove, Seychelles will be offered at estimates of R2,500,000 – R3,500,000 at Aspire Art Auctions’ Inaugural Cape Auction on 27 March 2017 at the Avenue in the V&A Waterfront.
March 14, 2017, Sharjah—During the Sharjah Biennial 13: Tamawuj Act I opening, Sharjah Art Foundation (SAF) announced the recipients of the Sharjah Biennial Prize.
ART AFRICA had the opportunity to sit down with Dion Cupido and discuss his recent body of work.
"When I look at graffiti; tagging, writing your mind on the wall, there’s something really beautiful about it. I like the idea of writing on the back of toilet doors. I find it so interesting. It’s these peoples’ lives, on walls and behind doors, you know."